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Ludwig van Beethoven
Beethoven came from a family of musicians.
He was the oldest brother of three surviving children. He showed musical talent from a young age and learnt viola,
organ and piano from his father, who was a singer.
His father was a cruel man and a harsh teacher, making Beethoven practice
often all through the night. When Beethoven was 16, his mother died tragically.
Beethoven escaped from his father with his younger brothers, working as a
tutor for a wealthy family. The
loss of his family was very important to Beethoven and it effected the raging,
surging emotion in his music.
At 17 years, Beethoven visited Vienna where the famous composer Wolfgang
Mozart heard his performance. Mozart
is recorded to have said, “He will give the world something worth listening
to”. Beethoven certainly lived up
to this
expectation.
In 1792, Beethoven received support and publicity from another famous
German composer, Joseph Haydn. Haydn
taught Beethoven for a short time. Haydn
praised Beethoven’s music and virtuoso skills, writing to the ruler of Cologne
who then sponsored Beethoven’s performances in front of the noblemen of
Vienna. Beethoven was welcomed into
the social circles of the royal families and treated as an equal by many of the
aristocratic families. This was
unusual, as composers had been treated as simple workers before Beethoven.
The wealthy people listened enthusiastically to Beethoven’s’ first
compositions, which were for small ensembles with piano.
Strangely, although Beethoven was very popular, the wealthy families were
not quick to provide financial support. He
fell into debt at the same time as he was experiencing another significant loss.
His hearing began to fail. From
1796, Beethoven gradually became deaf. He
was unable to hear and enjoy music or conversation.
He withdrew from people, becoming irritable and cross.
He had a world of music in his mind that he wrote down to express the
raging feelings and sometimes the longing for beauty and friendship that he
experienced. Sadly, and incredibly,
he could not hear performances of the amazing music he wrote.
Initially, he used devices, such as a large stick that he held in his
mouth one end and attached to the piano soundboard at the other.
This helped him sense more of the sounds.
However, he suffered deeply from his loss.
He cried at the Premier of his Ninth Symphony when he was physically
turned around and he realised he was unable to hear the enormous applause.
Beethoven’s deafness meant that he left behind an unusual treasure that gives
understanding about Beethoven’s Beethoven
died from pneumonia in 1827, leaving a range of musical styles, developing
themes and concepts of the Classical period and extending them into more unified
and longer forms. He wrote for
chamber instruments, symphonies, piano solo, vocal song and opera.
He sometimes sketched the progression and form of a piece before he
decided on the melody.
The development of his musical style is divided into three periods.
Pieces of the first period, to around 1802, imitate and expand on the
works of the Classical composers such as Haydn and Mozart.
The first twenty Piano Sonatas (e.g. Pathetique,
Moonlight)
are from this period. The second period, around 1803 to 1814, are marked by the
feelings of tragedy that were brought on by his progressive loss of hearing.
Among other works, seven Piano Sonatas were composed at this time (e.g. Appasionata,
Waldstein).
The final period, 1815 onwards, are considered to be intellectual and
creative. Beethoven wrote very
mysterious and complex music in this latter time. Most of his music from the last period was not understood and
was not played until the next musical era (the 20th Century).
Beethoven’s music is best known for its complexity and wholeness.
He brought out previously unknown characteristics and sounds from
instruments such as the piano and violin. His
music is the expression of a deeply passionate soul. |
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Last modified: April 13, 2009 |